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Galata

Galata Tower is one of the most magnificent sights in Istanbul, overlooking "Beyoglu" and "Karakoy" from its incredible location. Its colorful lights can be seen at night from all over the city, so it is one of the most famous tourist destinations among visitors in the city. Galata Tower is visible to anyone who visits Istanbul and walks along with one of the city's most popular and oldest avenues, such as Taksim or Eminönü. This tower is one of the city's most well-known tourist attractions, whether because of its tradition, geometric shape, or special geographic location. Hence, it is not surprising that it is on the visit list for all tourists in Istanbul, here is a look at the history of Galata Tower! History of Galata Tower Although the exact date of construction of the Galata Tower is unknown, historical records suggest that it was constructed during the reign of the Byzantine Emperor Justinian in about 507 AD. The Genoese called the tower "Christian Torres," or the Tower of Christ, while the Byzantines called it "Migalus Pyrgos," or the Great Tower, at the time. The Galata district, colonies of the Republic of Genoa, served as a chain of economic and commercial centers in the Mediterranean and the Black Sea during the Genoa era, when the tower took on its current form. Where is Galata Tower? The Galata Tower, as its name suggests, is situated in the Galata district of Istanbul just above Karaköy and it has become one of the city's most significant symbols. From the top of the tower, visitors can see the Istanbul Bridge, which separates Istanbul's Asian and European sections, as well as the Golden Horn Bridge and historic peninsula. Galata Tower Opening Hours It is possible to visit Galata Tower every day from the morning until the evening hours, just keep in mind that there is still a long line of tourists waiting to enjoy the view from the top of the tower. The best time to visit Galata Tower, whether you want to avoid long lines, is early in the morning or later in the evening.

200 personas locales recomiendan

Galata

200 personas locales recomiendan

Galata Tower is one of the most magnificent sights in Istanbul, overlooking "Beyoglu" and "Karakoy" from its incredible location. Its colorful lights can be seen at night from all over the city, so it is one of the most famous tourist destinations among visitors in the city. Galata Tower is visible to anyone who visits Istanbul and walks along with one of the city's most popular and oldest avenues, such as Taksim or Eminönü. This tower is one of the city's most well-known tourist attractions, whether because of its tradition, geometric shape, or special geographic location. Hence, it is not surprising that it is on the visit list for all tourists in Istanbul, here is a look at the history of Galata Tower! History of Galata Tower Although the exact date of construction of the Galata Tower is unknown, historical records suggest that it was constructed during the reign of the Byzantine Emperor Justinian in about 507 AD. The Genoese called the tower "Christian Torres," or the Tower of Christ, while the Byzantines called it "Migalus Pyrgos," or the Great Tower, at the time. The Galata district, colonies of the Republic of Genoa, served as a chain of economic and commercial centers in the Mediterranean and the Black Sea during the Genoa era, when the tower took on its current form. Where is Galata Tower? The Galata Tower, as its name suggests, is situated in the Galata district of Istanbul just above Karaköy and it has become one of the city's most significant symbols. From the top of the tower, visitors can see the Istanbul Bridge, which separates Istanbul's Asian and European sections, as well as the Golden Horn Bridge and historic peninsula. Galata Tower Opening Hours It is possible to visit Galata Tower every day from the morning until the evening hours, just keep in mind that there is still a long line of tourists waiting to enjoy the view from the top of the tower. The best time to visit Galata Tower, whether you want to avoid long lines, is early in the morning or later in the evening.

Balat

The districts of Fener, and Balat are surely the ones that have the richest history in Istanbul. They are also on the list of the UNESCO heritage sites, and yet it is still a region rarely visited by tourists. We like to lose ourselves in these areas wandering around because the atmosphere is really unique. Organized like small villages, the tangle of cobblestone alleys that go up and down gives the impression of being in a labyrinth filled with treasures. The colorful Ottoman houses, some of which are perfectly restored, the religious buildings, the small craftsmen, the merchants, the children playing in the street and the linen hanging from the windows give this area a unique charm, out of time that will allow you to discover a new side of Istanbul. FENER DISTRICT The first district, Fener, which was historically the most important Greek quarter of the city is a short half-hour walk up the Golden Horn to Eminönü. It flourished after the capture of Constantinople by the Ottomans when the Sultan encouraged the Orthodox people to settle there, and it became a prosperous and prosperous district, as evidenced by these superb buildings. Fener is also home to several places of worship, some of which are fundamental, such as the Ecumenical Patriarchate of Constantinople, which houses the Church of St. George. Established also following the capture of Constantinople, it is a fundamental place for more than 250 million Orthodox Christians who regard it as their spiritual authority, it is in a way the equivalent of the Vatican. Another building not to be missed, located on a hill overlooking the Golden Horn and which is another symbol of the district, is the imposing Greek Orthodox High School in red bricks.

256 personas locales recomiendan

Balat

256 personas locales recomiendan

The districts of Fener, and Balat are surely the ones that have the richest history in Istanbul. They are also on the list of the UNESCO heritage sites, and yet it is still a region rarely visited by tourists. We like to lose ourselves in these areas wandering around because the atmosphere is really unique. Organized like small villages, the tangle of cobblestone alleys that go up and down gives the impression of being in a labyrinth filled with treasures. The colorful Ottoman houses, some of which are perfectly restored, the religious buildings, the small craftsmen, the merchants, the children playing in the street and the linen hanging from the windows give this area a unique charm, out of time that will allow you to discover a new side of Istanbul. FENER DISTRICT The first district, Fener, which was historically the most important Greek quarter of the city is a short half-hour walk up the Golden Horn to Eminönü. It flourished after the capture of Constantinople by the Ottomans when the Sultan encouraged the Orthodox people to settle there, and it became a prosperous and prosperous district, as evidenced by these superb buildings. Fener is also home to several places of worship, some of which are fundamental, such as the Ecumenical Patriarchate of Constantinople, which houses the Church of St. George. Established also following the capture of Constantinople, it is a fundamental place for more than 250 million Orthodox Christians who regard it as their spiritual authority, it is in a way the equivalent of the Vatican. Another building not to be missed, located on a hill overlooking the Golden Horn and which is another symbol of the district, is the imposing Greek Orthodox High School in red bricks.

Topkapi Palace

DESCRIPTION OTTOMAN IMPERIAL PALACE it served as the main residence and administrative headquarters of the Ottoman sultans: Topkapı Palace and Harem (Topkapı Sarayı) are likely to have more colourful stories than most of the world's museums put together. Libidinous sultans, ambitious courtiers, beautiful concubines and scheming eunuchs lived and worked here between the 15th and 19th centuries when it was the court of the Ottoman empire. A visit to the palace's opulent pavilions, jewel-filled Treasury and sprawling Harem gives a fascinating glimpse into their lives. It has many exhibion halls, Treasury section, and Harem. Mehmet the Conqueror built the first stage of the palace shortly after the Conquest in 1453, and lived here until his death in 1481. Subsequent sultans lived in this rarefied environment until the 19th century, when they moved to the ostentatious European-style palaces they built on the shores of the Bosphorus.Before you enter the palace's Imperial Gate (Bab-ı Hümayun), take a look at the ornate structure in the cobbled square just outside. This is the rococo-style Fountain of Sultan Ahmet III, built in 1728 by the sultan who so favoured tulips. The main ticket office is in the First Court, just before the gate to the Second Court. Topkapi Palace was home to all the Ottoman sultans until the reign of Abdulmecid I (1839-1860), a period of nearly four centuries. First Court Pass through the Imperial Gate into the First Court, which is known as the Court of the Janissaries or the Parade Court. On your left first building is Konyali Lokantası (Restaurant) than following monument is Hagia Irene Museum a Byzantine church of Hagia Eirene, more commonly known as Aya İrini. Third structure is former Imperial Mint (Darphane-i Âmire, constructed in 1727) which named Currency Imperial Ottoman Administration [Meskûkât-ı Şâhâne] after the Tanzimat Reform. topkapi harita Second Court The Middle Gate (Ortakapı or Bab-üs Selâm) led to the palace’s Second Court, used for the business of running the empire. In Ottoman times, only the sultan and the valide sultan (mother of the sultan) were allowed through the Middle Gate on horseback. Everyone else, including the grand vizier, had to dismount. The Second Court has a beautiful park-like setting. Unlike typical European palaces, which feature one large building with outlying gardens, Topkapı is a series of pavilions, kitchens, barracks, audience chambers, kiosks and sleeping quarters built around a central enclosure. The great Palace Kitchens on the right (east) as you enter incorporate a dedicated Helvahane (confectionery kitchen). They hold a small portion of Topkapı’s vast collection of Chinese celadon porcelain, valued by the sultans for its beauty but also because it was reputed to change colour if touched by poisoned food. On the left (west) side of the Second Court is the ornate Imperial Council Chamber (Dîvân-ı Hümâyûn). The council met here to discuss matters of state, and the sultan sometimes eavesdropped through the gold grille high in the wall. The room to the right showcases clocks from the palace collection. North of the Imperial Council Chamber is the Outer Treasury, where an impressive collection of Ottoman and European arms and armour is displayed. Harem The entrance to the Harem is beneath the Tower of Justice on the western side of the Second Court. If you decide to visit – and we highly recommend that you do – you'll need to buy a dedicated ticket. The visitor route through the Harem changes when rooms are closed for restoration or stabilisation, so some of the areas mentioned here may not be open during your visit. As popular belief would have it, the Harem was a place where the sultan could engage in debauchery at will. In more prosaic reality, these were the imperial family quarters, and every detail of Harem life was governed by tradition, obligation and ceremony. The word 'harem' literally means 'forbidden' or 'private'. The sultans supported as many as 300 concubines in the Harem, although numbers were usually lower than this. Upon entering the Harem, the girls would be schooled in Islam and in Turkish culture and language, as well as the arts of make-up, dress, comportment, music, reading, writing, embroidery and dancing. They then entered a meritocracy, first as ladies-in-waiting to the sultan's concubines and children, then to the valide sultan and finally – if they were particularly attractive and talented – to the sultan himself. The sultan was allowed by Islamic law to have four legitimate wives, who received the title of kadın (wife). If a wife bore him a son she was called haseki sultan; if she bore him a daughter, haseki kadın. Ruling the Harem was the valide sultan, who often owned large landed estates in her own name and controlled them through black eunuch servants. Able to give orders directly to the grand vizier, her influence on the sultan, on his wives and concubines, and on matters of state was often profound. The earliest of the 300-odd rooms in the Harem were constructed during the reign of Murat III (r 1574–95); the harems of previous sultans were at the now-demolished Eski Sarayı (Old Palace), near present-day Beyazıt Meydanı. The Harem complex has six floors, but only one of these can be visited. This is approached via the Carriage Gate. Next to the gate is the Dormitory of the Corps of the Palace Guards, a meticulously restored two-storey structure featuring swathes of magnificent 16th- and 17th-century İznik tiles. Inside the gate is the Dome with Cupboards, the Harem treasury where financial records were kept. Beyond it is the Hall with the Fountain, lined with fine Kütahya tiles from the 17th century featuring botanical motifs and inscriptions from the Koran and home to a marble horse-mounting block once used by the sultans. Adjoining this is the Mosque of the Black Eunuchs, which features depictions of Mecca on its 17th-century tiles. Beyond this room is the Courtyard of the Black Eunuchs, also decorated with Kütahya tiles. Behind the marble colonnade on the left are the Black Eunuchs' Dormitories. In the early days white eunuchs were used, but black eunuchs sent as presents by the Ottoman governor of Egypt later took control. As many as 200 lived here, guarding the doors and waiting on the women of the Harem. At the far end of the courtyard is the Main Gate into the Harem, as well as a guard room featuring two gigantic gilded mirrors. From here, the Concubines' Corridor leads left to the Courtyard of the Concubines and Sultan's Consorts. This is surrounded by baths, a laundry fountain, a laundry, dormitories and private apartments. Across the Concubines' Corridor from the courtyard is a room decorated with a tiled chimney, followed by the Apartments of the Valide Sultan, the centre of power in the Harem. From these ornate rooms the valide sultan oversaw and controlled her huge 'family'. Of particular note is the Salon of the Valide Sultan with its lovely 19th-century murals featuring bucolic views of İstanbul, and a pretty double hamam dating from 1585; the gilded bronze railings were a later addition. Past the Courtyard of the Valide Sultan is a splendid reception room with a large fireplace that leads to a vestibule covered in Kütahya and İznik tiles dating from the 17th century. This is where the princes, valide sultan and senior concubines waited before entering the handsome Imperial Hall for an audience with the sultan. Built during the reign of Murat III, the hall was redecorated in baroque style by order of Osman III (r 1754–57). Nearby is the Privy Chamber of Murat III, one of the most sumptuous rooms in the palace. Dating from 1578, virtually all of its decoration is original and is thought to be the work of Sinan. The restored three-tiered marble fountain was designed to give the sound of cascading water and to make it difficult to eavesdrop on the sultan's conversations. The gilded canopied seating areas are later 18th-century additions. Next door is the Privy Chamber of Ahmet III and adjoining dining room built in 1705. The latter is lined with wooden panels decorated with images of flowers and fruits painted in lacquer. Back through the Privy Chamber of Murat III are two of the most beautiful rooms in the Harem – the Twin Kiosk/Apartments of the Crown Prince. These two rooms date from around 1600; note the painted canvas dome in the first room and the fine İznik tile panels above the fireplace in the second. The stained glass is also noteworthy. Past these rooms is the Courtyard of the Favourites. Over the edge of the courtyard (really a terrace) you'll see a large empty pool. Overlooking the courtyard are the tiny windows of the many small dark rooms comprising the kafes (cage) where brothers or sons of the sultan were imprisoned. Adjoining it is the tiled Harem Mosque with its baroque mihrab (niche in a minaret indicating the direction of Mecca). From here, you can follow the passage known as the Golden Road and exit into the palace's Third Court. Third Court The Third Court is entered through the Gate of Felicity. The sultan’s private domain, it was staffed and guarded by white eunuchs. Inside is the Audience Chamber, constructed in the 16th century but refurbished in the 18th century. Important officials and foreign ambassadors were brought to this little kiosk to conduct the high business of state. The sultan, seated on a huge divan, inspected the ambassadors' gifts and offerings as they were passed through the doorway on the left. Right behind the Audience Chamber is the pretty Library of Ahmet III, built in 1719. On the eastern edge of the Third Court is the Dormitory of the Expeditionary Force, which was closed for restoration at the time of research. When it reopens it will house the palace's rich collection of imperial robes, kaftans and uniforms worked in silver and gold thread. On the other side of the Third Court are the Sacred Safekeeping Rooms. These rooms, sumptuously decorated with İznik tiles, house many relics of the Prophet. When the sultans lived here, the rooms were opened only once a year, for the imperial family to pay homage to the memory of the Prophet on the 15th day of the holy month of Ramazan. Next to the sacred Safekeeping Rooms is the Dormitory of the Privy Chamber, which houses an exhibit of portraits of 36 sultans. The highlight is a wonderful painting of the Enthronement Ceremony of Sultan Selim III (1789) by Konstantin Kapidagli. Imperial Treasury Located on the eastern edge of the Third Court, Topkapı's Treasury features an incredible collection of objects made from or decorated with gold, silver, rubies, emeralds, jade, pearls and diamonds. The building itself was constructed during Mehmet the Conqueror's reign in 1460 and was used originally as reception rooms. It was closed for a major restoration when we last visited. When it re-opens, look out for the jewel-encrusted Sword of Süleyman the Magnificent and the extraordinary Throne of Ahmed I (aka Arife Throne), which is inlaid with mother-of-pearl and was designed by Sedefhar Mehmet Ağa, architect of the Blue Mosque. And don't miss the Treasury's famous Topkapı Dagger, object of the criminal heist in Jules Dassin’s 1964 film Topkapı. This features three enormous emeralds on the hilt and a watch set into the pommel. Also worth seeking out is the Kasıkçı (Spoonmaker’s) Diamond, a teardrop-shaped 86-carat rock surrounded by dozens of smaller stones that was first worn by Mehmet IV at his accession to the throne in 1648. Fourth Court Pleasure pavilions occupy the palace's Fourth Court. These include the Mecidiye Kiosk, which was built by Abdül Mecit (r 1839–61) according to 19th-century European models. Beneath this is the Konyalı restaurant, which offers wonderful views from its terrace but is let down by the quality and price of its food. Up steps from the Mecidiye Kiosk is the Head Physician’s Pavilion. Interestingly, the head physician was always one of the sultan’s Jewish subjects. On this terrace you will also find the Kiosk of Mustafa Pasha, sometimes called the Sofa Köşkü. During the reign of Ahmet III, the Tulip Garden outside the kiosk was filled with the latest varieties of the flower. Up the stairs at the end of the Tulip Garden is the Marble Terrace, a platform with a decorative pool, three pavilions and the whimsical İftariye Kameriyesi, a small structure commissioned by İbrahim I ('the Crazy') in 1640 as a picturesque place to break the fast of Ramazan. Murat IV built the Revan Kiosk in 1636 after reclaiming the city of Yerevan (now in Armenia) from Persia. In 1639 he constructed the Baghdad Kiosk, one of the last examples of classical palace architecture, to commemorate his victory over that city. Notice its superb İznik tiles, painted ceiling and mother-of-pearl and tortoiseshell inlay. The small Circumcision Room (Sünnet Odası) was used for the ritual that admits Muslim boys to manhood. Built by İbrahim I in 1640, the outer walls of the chamber are graced by particularly beautiful tile panels. Visiting Information: Location Topkapi Palace Museum complex located on the Sarayburnu (Seraglio Point), which overlooks both the Marmara Sea and the Bosphorus Straight at historical peninsula (Fatih District) of Istanbul. How to get Topkapi Palace Public transportation system T1 (Tram 1) is the most convenient way to get Sultanahmet area, which only takes 5 minutes walk from Sultanahmet and Gulhane tram station to Topkapi Palace. The distance from Gulhane tram station to museum only 600 meters whereas from Sultanahmet tram station is 700 meters which this direction leads to imperial gate and following first courtyard of Topkapi Palace. The Imperial gate (Bab-ı Hümayun) which is first exterior gate and security scanners and military guard area opens to first courtyard. First courtyard (Avlu) contains several monuments and historical places. First structure on the left is Konyali 1897 Lokantasi (Restaurant), which offers royal Ottoman cuisine with panoramic views of the Marmara sea and a unique Ottoman palace sherbet. Second on the row is Hagia Irene Museum known also as Saint Irene, one of the few churches that has not been converted into a mosque in the Ottoman area. Last building is Darphane (Darphane-i Âmire), former imperial mint and was the place of production of all the gold and silver Ottoman coins. Facilities & Services & Tips Disabled access is possible but wheelchairs are not available and cobblestone-covered hills might cause problems for handicapped travelers. There is no parking facility in the palace place. Photography is not allowed inside the museum halls. Tickets for children below the age of 6 are free. Entrance is FREE of charge for disabled visitors and one companion who is a first degree relative. Audio guides or personal guides are recommended to bring out sophisticated details of the palace. Imperial gate security check queues can be long, You can enter the first courtyard from Archaelogy Museum just up steep way via Gülhane Park. Best things to discover in Topkapi Palace Topkapi Palace Museum have large collections of porcelain, robes, weapons, Ottoman miniatures, Islamic calligraphic manuscripts as well as other Ottoman treasures and jewellery. Visit the Palace Treasury that holds a fascinating collection of the world’s most famous and spectacular jewels including the famous Topkapi Dagger. This dagger was the subject of the famous film Topkapi

717 personas locales recomiendan

Topkapi Palace

717 personas locales recomiendan

DESCRIPTION OTTOMAN IMPERIAL PALACE it served as the main residence and administrative headquarters of the Ottoman sultans: Topkapı Palace and Harem (Topkapı Sarayı) are likely to have more colourful stories than most of the world's museums put together. Libidinous sultans, ambitious courtiers, beautiful concubines and scheming eunuchs lived and worked here between the 15th and 19th centuries when it was the court of the Ottoman empire. A visit to the palace's opulent pavilions, jewel-filled Treasury and sprawling Harem gives a fascinating glimpse into their lives. It has many exhibion halls, Treasury section, and Harem. Mehmet the Conqueror built the first stage of the palace shortly after the Conquest in 1453, and lived here until his death in 1481. Subsequent sultans lived in this rarefied environment until the 19th century, when they moved to the ostentatious European-style palaces they built on the shores of the Bosphorus.Before you enter the palace's Imperial Gate (Bab-ı Hümayun), take a look at the ornate structure in the cobbled square just outside. This is the rococo-style Fountain of Sultan Ahmet III, built in 1728 by the sultan who so favoured tulips. The main ticket office is in the First Court, just before the gate to the Second Court. Topkapi Palace was home to all the Ottoman sultans until the reign of Abdulmecid I (1839-1860), a period of nearly four centuries. First Court Pass through the Imperial Gate into the First Court, which is known as the Court of the Janissaries or the Parade Court. On your left first building is Konyali Lokantası (Restaurant) than following monument is Hagia Irene Museum a Byzantine church of Hagia Eirene, more commonly known as Aya İrini. Third structure is former Imperial Mint (Darphane-i Âmire, constructed in 1727) which named Currency Imperial Ottoman Administration [Meskûkât-ı Şâhâne] after the Tanzimat Reform. topkapi harita Second Court The Middle Gate (Ortakapı or Bab-üs Selâm) led to the palace’s Second Court, used for the business of running the empire. In Ottoman times, only the sultan and the valide sultan (mother of the sultan) were allowed through the Middle Gate on horseback. Everyone else, including the grand vizier, had to dismount. The Second Court has a beautiful park-like setting. Unlike typical European palaces, which feature one large building with outlying gardens, Topkapı is a series of pavilions, kitchens, barracks, audience chambers, kiosks and sleeping quarters built around a central enclosure. The great Palace Kitchens on the right (east) as you enter incorporate a dedicated Helvahane (confectionery kitchen). They hold a small portion of Topkapı’s vast collection of Chinese celadon porcelain, valued by the sultans for its beauty but also because it was reputed to change colour if touched by poisoned food. On the left (west) side of the Second Court is the ornate Imperial Council Chamber (Dîvân-ı Hümâyûn). The council met here to discuss matters of state, and the sultan sometimes eavesdropped through the gold grille high in the wall. The room to the right showcases clocks from the palace collection. North of the Imperial Council Chamber is the Outer Treasury, where an impressive collection of Ottoman and European arms and armour is displayed. Harem The entrance to the Harem is beneath the Tower of Justice on the western side of the Second Court. If you decide to visit – and we highly recommend that you do – you'll need to buy a dedicated ticket. The visitor route through the Harem changes when rooms are closed for restoration or stabilisation, so some of the areas mentioned here may not be open during your visit. As popular belief would have it, the Harem was a place where the sultan could engage in debauchery at will. In more prosaic reality, these were the imperial family quarters, and every detail of Harem life was governed by tradition, obligation and ceremony. The word 'harem' literally means 'forbidden' or 'private'. The sultans supported as many as 300 concubines in the Harem, although numbers were usually lower than this. Upon entering the Harem, the girls would be schooled in Islam and in Turkish culture and language, as well as the arts of make-up, dress, comportment, music, reading, writing, embroidery and dancing. They then entered a meritocracy, first as ladies-in-waiting to the sultan's concubines and children, then to the valide sultan and finally – if they were particularly attractive and talented – to the sultan himself. The sultan was allowed by Islamic law to have four legitimate wives, who received the title of kadın (wife). If a wife bore him a son she was called haseki sultan; if she bore him a daughter, haseki kadın. Ruling the Harem was the valide sultan, who often owned large landed estates in her own name and controlled them through black eunuch servants. Able to give orders directly to the grand vizier, her influence on the sultan, on his wives and concubines, and on matters of state was often profound. The earliest of the 300-odd rooms in the Harem were constructed during the reign of Murat III (r 1574–95); the harems of previous sultans were at the now-demolished Eski Sarayı (Old Palace), near present-day Beyazıt Meydanı. The Harem complex has six floors, but only one of these can be visited. This is approached via the Carriage Gate. Next to the gate is the Dormitory of the Corps of the Palace Guards, a meticulously restored two-storey structure featuring swathes of magnificent 16th- and 17th-century İznik tiles. Inside the gate is the Dome with Cupboards, the Harem treasury where financial records were kept. Beyond it is the Hall with the Fountain, lined with fine Kütahya tiles from the 17th century featuring botanical motifs and inscriptions from the Koran and home to a marble horse-mounting block once used by the sultans. Adjoining this is the Mosque of the Black Eunuchs, which features depictions of Mecca on its 17th-century tiles. Beyond this room is the Courtyard of the Black Eunuchs, also decorated with Kütahya tiles. Behind the marble colonnade on the left are the Black Eunuchs' Dormitories. In the early days white eunuchs were used, but black eunuchs sent as presents by the Ottoman governor of Egypt later took control. As many as 200 lived here, guarding the doors and waiting on the women of the Harem. At the far end of the courtyard is the Main Gate into the Harem, as well as a guard room featuring two gigantic gilded mirrors. From here, the Concubines' Corridor leads left to the Courtyard of the Concubines and Sultan's Consorts. This is surrounded by baths, a laundry fountain, a laundry, dormitories and private apartments. Across the Concubines' Corridor from the courtyard is a room decorated with a tiled chimney, followed by the Apartments of the Valide Sultan, the centre of power in the Harem. From these ornate rooms the valide sultan oversaw and controlled her huge 'family'. Of particular note is the Salon of the Valide Sultan with its lovely 19th-century murals featuring bucolic views of İstanbul, and a pretty double hamam dating from 1585; the gilded bronze railings were a later addition. Past the Courtyard of the Valide Sultan is a splendid reception room with a large fireplace that leads to a vestibule covered in Kütahya and İznik tiles dating from the 17th century. This is where the princes, valide sultan and senior concubines waited before entering the handsome Imperial Hall for an audience with the sultan. Built during the reign of Murat III, the hall was redecorated in baroque style by order of Osman III (r 1754–57). Nearby is the Privy Chamber of Murat III, one of the most sumptuous rooms in the palace. Dating from 1578, virtually all of its decoration is original and is thought to be the work of Sinan. The restored three-tiered marble fountain was designed to give the sound of cascading water and to make it difficult to eavesdrop on the sultan's conversations. The gilded canopied seating areas are later 18th-century additions. Next door is the Privy Chamber of Ahmet III and adjoining dining room built in 1705. The latter is lined with wooden panels decorated with images of flowers and fruits painted in lacquer. Back through the Privy Chamber of Murat III are two of the most beautiful rooms in the Harem – the Twin Kiosk/Apartments of the Crown Prince. These two rooms date from around 1600; note the painted canvas dome in the first room and the fine İznik tile panels above the fireplace in the second. The stained glass is also noteworthy. Past these rooms is the Courtyard of the Favourites. Over the edge of the courtyard (really a terrace) you'll see a large empty pool. Overlooking the courtyard are the tiny windows of the many small dark rooms comprising the kafes (cage) where brothers or sons of the sultan were imprisoned. Adjoining it is the tiled Harem Mosque with its baroque mihrab (niche in a minaret indicating the direction of Mecca). From here, you can follow the passage known as the Golden Road and exit into the palace's Third Court. Third Court The Third Court is entered through the Gate of Felicity. The sultan’s private domain, it was staffed and guarded by white eunuchs. Inside is the Audience Chamber, constructed in the 16th century but refurbished in the 18th century. Important officials and foreign ambassadors were brought to this little kiosk to conduct the high business of state. The sultan, seated on a huge divan, inspected the ambassadors' gifts and offerings as they were passed through the doorway on the left. Right behind the Audience Chamber is the pretty Library of Ahmet III, built in 1719. On the eastern edge of the Third Court is the Dormitory of the Expeditionary Force, which was closed for restoration at the time of research. When it reopens it will house the palace's rich collection of imperial robes, kaftans and uniforms worked in silver and gold thread. On the other side of the Third Court are the Sacred Safekeeping Rooms. These rooms, sumptuously decorated with İznik tiles, house many relics of the Prophet. When the sultans lived here, the rooms were opened only once a year, for the imperial family to pay homage to the memory of the Prophet on the 15th day of the holy month of Ramazan. Next to the sacred Safekeeping Rooms is the Dormitory of the Privy Chamber, which houses an exhibit of portraits of 36 sultans. The highlight is a wonderful painting of the Enthronement Ceremony of Sultan Selim III (1789) by Konstantin Kapidagli. Imperial Treasury Located on the eastern edge of the Third Court, Topkapı's Treasury features an incredible collection of objects made from or decorated with gold, silver, rubies, emeralds, jade, pearls and diamonds. The building itself was constructed during Mehmet the Conqueror's reign in 1460 and was used originally as reception rooms. It was closed for a major restoration when we last visited. When it re-opens, look out for the jewel-encrusted Sword of Süleyman the Magnificent and the extraordinary Throne of Ahmed I (aka Arife Throne), which is inlaid with mother-of-pearl and was designed by Sedefhar Mehmet Ağa, architect of the Blue Mosque. And don't miss the Treasury's famous Topkapı Dagger, object of the criminal heist in Jules Dassin’s 1964 film Topkapı. This features three enormous emeralds on the hilt and a watch set into the pommel. Also worth seeking out is the Kasıkçı (Spoonmaker’s) Diamond, a teardrop-shaped 86-carat rock surrounded by dozens of smaller stones that was first worn by Mehmet IV at his accession to the throne in 1648. Fourth Court Pleasure pavilions occupy the palace's Fourth Court. These include the Mecidiye Kiosk, which was built by Abdül Mecit (r 1839–61) according to 19th-century European models. Beneath this is the Konyalı restaurant, which offers wonderful views from its terrace but is let down by the quality and price of its food. Up steps from the Mecidiye Kiosk is the Head Physician’s Pavilion. Interestingly, the head physician was always one of the sultan’s Jewish subjects. On this terrace you will also find the Kiosk of Mustafa Pasha, sometimes called the Sofa Köşkü. During the reign of Ahmet III, the Tulip Garden outside the kiosk was filled with the latest varieties of the flower. Up the stairs at the end of the Tulip Garden is the Marble Terrace, a platform with a decorative pool, three pavilions and the whimsical İftariye Kameriyesi, a small structure commissioned by İbrahim I ('the Crazy') in 1640 as a picturesque place to break the fast of Ramazan. Murat IV built the Revan Kiosk in 1636 after reclaiming the city of Yerevan (now in Armenia) from Persia. In 1639 he constructed the Baghdad Kiosk, one of the last examples of classical palace architecture, to commemorate his victory over that city. Notice its superb İznik tiles, painted ceiling and mother-of-pearl and tortoiseshell inlay. The small Circumcision Room (Sünnet Odası) was used for the ritual that admits Muslim boys to manhood. Built by İbrahim I in 1640, the outer walls of the chamber are graced by particularly beautiful tile panels. Visiting Information: Location Topkapi Palace Museum complex located on the Sarayburnu (Seraglio Point), which overlooks both the Marmara Sea and the Bosphorus Straight at historical peninsula (Fatih District) of Istanbul. How to get Topkapi Palace Public transportation system T1 (Tram 1) is the most convenient way to get Sultanahmet area, which only takes 5 minutes walk from Sultanahmet and Gulhane tram station to Topkapi Palace. The distance from Gulhane tram station to museum only 600 meters whereas from Sultanahmet tram station is 700 meters which this direction leads to imperial gate and following first courtyard of Topkapi Palace. The Imperial gate (Bab-ı Hümayun) which is first exterior gate and security scanners and military guard area opens to first courtyard. First courtyard (Avlu) contains several monuments and historical places. First structure on the left is Konyali 1897 Lokantasi (Restaurant), which offers royal Ottoman cuisine with panoramic views of the Marmara sea and a unique Ottoman palace sherbet. Second on the row is Hagia Irene Museum known also as Saint Irene, one of the few churches that has not been converted into a mosque in the Ottoman area. Last building is Darphane (Darphane-i Âmire), former imperial mint and was the place of production of all the gold and silver Ottoman coins. Facilities & Services & Tips Disabled access is possible but wheelchairs are not available and cobblestone-covered hills might cause problems for handicapped travelers. There is no parking facility in the palace place. Photography is not allowed inside the museum halls. Tickets for children below the age of 6 are free. Entrance is FREE of charge for disabled visitors and one companion who is a first degree relative. Audio guides or personal guides are recommended to bring out sophisticated details of the palace. Imperial gate security check queues can be long, You can enter the first courtyard from Archaelogy Museum just up steep way via Gülhane Park. Best things to discover in Topkapi Palace Topkapi Palace Museum have large collections of porcelain, robes, weapons, Ottoman miniatures, Islamic calligraphic manuscripts as well as other Ottoman treasures and jewellery. Visit the Palace Treasury that holds a fascinating collection of the world’s most famous and spectacular jewels including the famous Topkapi Dagger. This dagger was the subject of the famous film Topkapi

Dolmabahce Palace

History of Dolmabahce Palace Abdülmecid I, the Empire's 31st Sultan, ordered Dolmabahçe Palace to be constructed between 1843 and 1856. The Sultan and his family had previously resided at the Topkapi Palace, but Abdülmecid wanted to build a new modern palace near the site of the former Beşiktaş beach Palace, which had been destroyed, because the medieval Topkapi lacked contemporary architecture, elegance, and comfort as compared to the palaces of European monarchs. The project was designed by architects Garabet Balyan, his son Nigoayos Balyan, and Evanis Kalfa, with construction overseen by Hac Said Aga (members of the Armenian Balyan family of Ottoman court architects). The building cost five million Ottoman gold lira (approximately $1.5 billion in today's dollars), or 35 tonnes of gold. This sum amounted to roughly a fifth of the annual tax revenue. The building was actually funded by debasement, a major paper money problem, and foreign loans. The massive expenditures put a tremendous strain on the state purse and led to the Ottoman Empire's worsening financial condition, which culminated in the Ottoman Empire defaulting on its public debt in October 1875, with the European powers establishing financial leverage over the "sick man of Europe" in 1881. From 1856, when it was first occupied, until the dissolution of the Caliphate in 1924, the palace was home to six Sultans: the last royal to live here was Caliph Abdülmecid Efendi. The possession of the palace was passed to the nascent Turkish Republic's national heritage by a statute that took effect on March 3, 1924. Over the summers, Mustafa Kemal Atatürk, the Republic of Turkey's founder and first President, used the palace as a presidential residence and enacted some of his most significant works. Atatürk died on November 10, 1938, in this palace, where he spent the last days of his medical care. The Directorate of National Palaces now manages the palace. Interior of Dolmabahce Palace Dolmabahçe is Turkey's biggest palace. It covers 45,000 square meters (11.1 acres) and has 285 offices, 46 halls, 6 hamams, and 68 toilets. To create a new synthesis, eclectic elements from the Baroque, Rococo, and Neoclassical periods have been combined with typical Ottoman architecture. During the Tanzimat era, the palace's architecture and décor represent the growing impact of European styles and norms on Ottoman culture and decor. The exterior, particularly from the Bosporus, shows a classical European two-wing structure separated by a large avant-corps with two side avant-corps. Where is Dolmabahce Palace? The site of Dolmabahçe was originally a bay on the Bosporus where the Ottoman fleet could anchor. The field was eventually restored during the 18th century to become an imperial garden, which the Ottoman sultans greatly admired; the name Dolmabahçe (Filled-in Garden) derives from the Turkish words dolma, which means "filled," and bahçe, which means "garden." Throughout the 18th and 19th centuries, various small summer palaces and wooden pavilions were constructed here, eventually creating the Beşiktaş Waterfront Palace complex. The area of 110,000 m2 is bounded on the east by the Bosporus, and on the west by a steep precipice, such that after the construction of the current 45,000 m2 monoblock Dolmabahçe Palace, there is only a small amount of room left for a garden complex that would usually surround such a palace.

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Dolmabahce Palace

Dolmabahçe Caddesi

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History of Dolmabahce Palace Abdülmecid I, the Empire's 31st Sultan, ordered Dolmabahçe Palace to be constructed between 1843 and 1856. The Sultan and his family had previously resided at the Topkapi Palace, but Abdülmecid wanted to build a new modern palace near the site of the former Beşiktaş beach Palace, which had been destroyed, because the medieval Topkapi lacked contemporary architecture, elegance, and comfort as compared to the palaces of European monarchs. The project was designed by architects Garabet Balyan, his son Nigoayos Balyan, and Evanis Kalfa, with construction overseen by Hac Said Aga (members of the Armenian Balyan family of Ottoman court architects). The building cost five million Ottoman gold lira (approximately $1.5 billion in today's dollars), or 35 tonnes of gold. This sum amounted to roughly a fifth of the annual tax revenue. The building was actually funded by debasement, a major paper money problem, and foreign loans. The massive expenditures put a tremendous strain on the state purse and led to the Ottoman Empire's worsening financial condition, which culminated in the Ottoman Empire defaulting on its public debt in October 1875, with the European powers establishing financial leverage over the "sick man of Europe" in 1881. From 1856, when it was first occupied, until the dissolution of the Caliphate in 1924, the palace was home to six Sultans: the last royal to live here was Caliph Abdülmecid Efendi. The possession of the palace was passed to the nascent Turkish Republic's national heritage by a statute that took effect on March 3, 1924. Over the summers, Mustafa Kemal Atatürk, the Republic of Turkey's founder and first President, used the palace as a presidential residence and enacted some of his most significant works. Atatürk died on November 10, 1938, in this palace, where he spent the last days of his medical care. The Directorate of National Palaces now manages the palace. Interior of Dolmabahce Palace Dolmabahçe is Turkey's biggest palace. It covers 45,000 square meters (11.1 acres) and has 285 offices, 46 halls, 6 hamams, and 68 toilets. To create a new synthesis, eclectic elements from the Baroque, Rococo, and Neoclassical periods have been combined with typical Ottoman architecture. During the Tanzimat era, the palace's architecture and décor represent the growing impact of European styles and norms on Ottoman culture and decor. The exterior, particularly from the Bosporus, shows a classical European two-wing structure separated by a large avant-corps with two side avant-corps. Where is Dolmabahce Palace? The site of Dolmabahçe was originally a bay on the Bosporus where the Ottoman fleet could anchor. The field was eventually restored during the 18th century to become an imperial garden, which the Ottoman sultans greatly admired; the name Dolmabahçe (Filled-in Garden) derives from the Turkish words dolma, which means "filled," and bahçe, which means "garden." Throughout the 18th and 19th centuries, various small summer palaces and wooden pavilions were constructed here, eventually creating the Beşiktaş Waterfront Palace complex. The area of 110,000 m2 is bounded on the east by the Bosporus, and on the west by a steep precipice, such that after the construction of the current 45,000 m2 monoblock Dolmabahçe Palace, there is only a small amount of room left for a garden complex that would usually surround such a palace.

The Blue Mosque

About Blue Mosque The Blue Mosque (Called Sultanahmet Camii in Turkish) is an historical mosque in Istanbul. The mosque is known as the Blue Mosque because of blue tiles surrounding the walls of interior design.Mosque was built between 1609 and 1616 years, during the rule of Ahmed I. just like many other mosques, it also comprises a tomb of the founder, a madrasa and a hospice.Besides still used as a mosque, the Sultan Ahmed Mosque has also become a popular tourist attraction in Istanbul. Besides being tourist attraction, it's also a active mosque, so it's closed to non worshippers for a half hour or so during the five daily prayers. Best way to see great architecture of the Blue Mosque is to approach it from the Hippodrome. (West side of the mosque) As if you are non-Muslim visitor, you also have to use same direction to enter the Mosque. Please ignore and avoid people who offer you to enter mosque without queue up. Those people mostly will try to sell you something and take you to the some shopping place. Best way is to line up and enter Mosque just like other tourists. Don't worry if line looks very long, it will move very fast for sure.

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The Blue Mosque

No:10 Atmeydanı Cd.

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About Blue Mosque The Blue Mosque (Called Sultanahmet Camii in Turkish) is an historical mosque in Istanbul. The mosque is known as the Blue Mosque because of blue tiles surrounding the walls of interior design.Mosque was built between 1609 and 1616 years, during the rule of Ahmed I. just like many other mosques, it also comprises a tomb of the founder, a madrasa and a hospice.Besides still used as a mosque, the Sultan Ahmed Mosque has also become a popular tourist attraction in Istanbul. Besides being tourist attraction, it's also a active mosque, so it's closed to non worshippers for a half hour or so during the five daily prayers. Best way to see great architecture of the Blue Mosque is to approach it from the Hippodrome. (West side of the mosque) As if you are non-Muslim visitor, you also have to use same direction to enter the Mosque. Please ignore and avoid people who offer you to enter mosque without queue up. Those people mostly will try to sell you something and take you to the some shopping place. Best way is to line up and enter Mosque just like other tourists. Don't worry if line looks very long, it will move very fast for sure.

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Topkapi Palace

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The Blue Mosque